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I’m pretty happy with sci/art but I was draped by Nikki Bogardus of My Color Rx.

« February 2018 Style Update: Tawny Spring?!.

Have you looked at House of Colour at all? What do you think about what is basically a four-season approach versus Sci\ART? So like with style in general, maybe once again it is Kibbe who holds the key to what works for me. He has one palette for each of the four seasons, but then the way you use the palette varies. The Dark/Blue Autumn in Kettlewell and House of Colour is very cool, to my eye–I know we have had some people in the Dark Autumn group on Facebook who come from this methodology, and the colors they can wear are far cooler.Īs I write this, I realize that the approach is very similar to what Kibbe does.

From the descriptions on the site, it sounds like I could be their Soft Autumn (which is far less Soft than a Sci\ART Soft Autumn), since people frequently think I’m a Summer until they see how much cool colors drain me, but I think these colors are truly the best from the Autumn family for me. These are the kind of colors you’ll mainly find in my wardrobe, and the ones I get compliments on. I stock my wardrobe with colors that are bright, but still have that muted/dirty autumnal quality. The coolest colors in DA are not my best, for sure. I put myself into Dark Autumn from Sci\ART because it’s the brightest Autumn, and less because it’s the darkest. On the Kettlewell (which I think is close to House of Colour), I found a blog post that has a Vibrant Autumn, which I think best describes me. House of Colour drapes you into one of four seasons, and then further refines it into a subseason, but you can use all of the colors of the main season–the subseason just has your bests. I’ve been using my T3 palette from DYT, actually.Īfter reading Tina’s blog post on her House of Colour experience, I feel like I’ve found my solution. In recent months, I have actually begun to favor a four-season approach, which would have shocked me of a couple of a years ago. I find that they are often redundant, further limiting your Sci\ART palette over adding new options.

The wrong way to solve the latter problem, in my opinion, is to further limit your palette and make it more specific, like the systems do that have 16 or more seasons. You need to hit all three markers of hue, chroma, and value, and then soemtimes it feels like your season is a compromise, which I will explain in a bit. Sci\ART palettes can begin to feel a little confining, in my opinion. He gives people colors that are great for them, but may fall into various Sci\ART seasons.

The Best Dressed system undoes what it great about Kibbe.ĭespite the fact that Zyla gives you a limited color palette, many people who come from Sci\ART still feel liberated when they get their color palette.

I take Kibbe’s legacy very seriously his system totally upends conventional wisdom and is so honoring of individual beauty, and he is such a wonderful and generous person to boot. My feelings on this subject are well known, but suffice to say, there are so many 12BP analysts that are now offering typing in this system that I feel I can no longer endorse it. I tend to prefer the way 12 Blueprints/ Your Natural Design clients look, but the intertwining of this branch of analysts and the Best Dressed Kibbe knockoff system means that I can’t support them, either. I don’t look at a TCI client and go, “Wow, this woman looks fabulous.” I see someone who now blends into the background. They make a lot of fuss about redraping former 12 Blueprints analysts and clients, and I don’t see an improvement. They drape a lot of Softs, and I think that the look they go for is flattening and graying. I wrote about it before, but I simply don’t like the results True Colour gets. I have issues with both, although these issues are different. The two branches of Sci\ART that are the most widespread, with the most analysts, are True Colour International and 12 Blueprints.